What I do on your production
I started as an assistant director and went through the gallery, the engineering room and the OB. I know what the director needs and what the signal needs.
Video engineer (vision engineer)
Camera shading and matching on the CCU and RCP, so every camera looks the same on air: exposure, colour, black level.
Multi-camera set-up
Building the camera chain: cameras, CCUs, signal routing and monitoring, checked before rehearsal.
Camera rigging
Long broadcast lenses on heavy tripods and pedestals, balanced and ready for the operators.
Technical producer
Planning the kit, the crew and the signal flow, and running the technical side of the show on the day.
Engineer and senior engineer
Studio and OB engineering, fault finding under pressure, keeping the show on air.
Director and assistant director
Where I started: I understand the gallery, the rundown and the director's call.
Equipment I work with
Cameras
- Sony HDC series system cameras
- Sony HXC
- Blackmagic URSA Broadcast
Replay systems
- EVS
- slomo.tv Arrow III
Production
- Grass Valley
Lenses and support
- Long broadcast lenses
- Heavy tripods and pedestals
On Tenerife I also have my own kit for small shoots: Sony A7C II, Amaran Ray 120c and 60c lights, Hollyland Lark M3 mics. See Tenerife shoots
Path in TV
- Assistant director
- Director
- Engineer
- Video engineer
- Senior engineer
- Technical producer
Where I work
Tenerife and the Canary Islands
Home base. No travel costs on Tenerife; a short flight or ferry to the other islands.
Mainland Spain
Ready to travel for multi-day jobs: concerts, festivals, sport, studio shows.
Europe
Open to invitations from crews and OB companies across Europe.
Languages
English and Russian; basic Spanish.
Invite me to a project
Dates, place and role. I reply within a day.
Or message me directly: WhatsApp +34 602 562 994 · Telegram @Max_Orbit_Spain